Download Oculus (2013) Dual Audio {English+Hindi} 1080p [2.8GB] || 720P [740MB] || 480P [450MB]

Download Oculus (2013) Dual Audio {English+Hindi} 1080p [2.8GB] || 720P [740MB] || 480P [450MB]. This Movies Is In Hindi Dubbed And Available In 1080p in 2.8GB & 720P In 740MB & 480p In 450MB.

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Oculus (2013)
104 min|Horror, Mystery|11 Apr 2014
6.5Rating: 6.5 / 10 from 112,001 users
A woman tries to exonerate her brother, who was convicted of murder, by proving that the crime was committed by a supernatural phenomenon.

Download Oculus (2013) Dual Audio {English+Hindi} 1080p 720P 480P ~ MoviesRex.In

IMDb: 6.5/10

Size: 324MB | 740MB | 2.9GB

Language: Hindi + English (Original Audios)

Genre: Horror, Mystery
Quality: 1080p || 720p || 480p BluRay

Director: Mike Flanagan
Writers: Mike Flanagan (screenplay), Jeff Howard (screenplay)

Stars: Karen Gillan, Brenton Thwaites, Katee Sackhoff


The twenty-one-year-old Timothy “Tim” Allen Russell is discharged from a mental institution by his psychiatric Dr. Shawn Graham completely healed from a childhood trauma where his father purportedly tortured and killed his mother before being killed himself by Tim. His sister Kaylie welcomes him in the parking area and brings him home. Then she tells that they need to destroy an ancient mirror that she has found through working at an auction house. She then steals the mirror and the reluctant Tim follows his sister and has fragmented recollections from their childhood, going back to when his father Alan buys a mirror for the home office of their new family home. Kaylie and Tim see a woman with their father in his office and the behaviors of Alan and Marie change, ending in a family tragedy. Kaylie blames the mirror and now she wants to destroy it with Tim. Will they succeed?


21-year-old Tim Russell is released from a mental institution. That same week his older sister is able to get a few days alone with the Lesser mirror. Kaylie, the sister, decides to take the mirror back to their old house, where unspeakable horrors unfolded during their childhood shortly after they moved to the back-then-new-house, and their father bought the infamous mirror. Kaylie is convinced the mirror is haunted: the mirror being some sort of evil supernatural being. Tim, on the other hand, has grown completely skeptic about the supernatural aspect of the mirror, believing his sister only holds on to that notion simply to have a way to cope with the horrific events of their childhood. Needless to say, the mirror does seem haunted, and as the night progresses for the adult siblings, the door to those memories opens up, revealing more and more those events which both are trying to move on from; albeit in very different ways. These two timelines (their childhood and their present-day adult selves) unfold in a parallel manner, with the ending of the film culminating the two timelines’ climaxes together.

One of the things the film gets right is the acting. Both Karen Gillian and Brenton Thwaites do a very decent job of portraying the adult version of the siblings. Their children counterparts also do impressive work in portraying two small, terrified brothers and sisters with no one to turn to for help, slowly accepting the fact that they are both alone against the mirror.

The second good thing about it is the staging of the story. Although the concept is nothing new or original, the execution of such concept is both new and original. This injects a healthy dose of re-freshens and also a decent amount of unexpectedness to the film. Both helping in making this horror film one in which the audiences are actually engaged and interested in what will happen next, and at the same time, they can have fun in the direction the story advances to.

A neutral element in it is the way they decided to unfold both story-lines (past and present). As mentioned above, both of them move forward hand-in-hand, with various parallels presenting themselves in the way of flashbacks from both siblings. While this works wonderfully in the first half of the film, the second half of it loses a good chunk of the excitement which this sort of narrative added to the first half. That is not to say, however, that it hurts it, but by the ending, it just feels it needed to continue this way to explain what had happened, rather than using it to strengthen the present events.

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